The National Institute for Regional and Spatial Analysis NIRSA defines a ghost estate as a development of ten houses or more in which fifty per cent or less of homes are occupied or completed. In October 2010, according to official estimates, there were 2846 ghost estates and more than 350 000 vacant homes throughout the Republic of Ireland. Ghost estates can be found everywhere, but most of them are located in the rural areas of the northern and western part of the country, in the counties of Cavan, Leitrim, Longford and Roscommon, which are the estates I visited.
These empty shells are eyesores for the locals in these small towns. The crisis is affecting the country – unemployment, debts, budget cuts, flights of capital investments – but it is also shaping its landscape. Bitter memories left by the spectral and temporary nature of the property boom in Ireland, ghost estates are the symbol of the property market’s collapse, a topology of the economic disintegration of the country.
It is not only an image of a plant, but representation of the intellect’s power and its elaborate tools for scrutinizing nature. The transparency of this work refers not only to the lucid petals of a flower, but to the ambitious, romantic and utopian struggle of science to see and present the world as transparent (completely seen, entirely grasped) object. Paradoxically, this scientific challenge to measure the Universe might eventually become one of the sources where art of Murayama draws its strength of fantasy and odor of romanticism, becoming a part of Botech Art, symbiosis of Botanical Art and Technology.